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Romeoand Juliet Essay

by Erin Reda

Free Related PDFs

Karen Bennett

This article analyses the structure of Prokofiev's ballet score 'Romeo and Juliet' as an intersemiotic translation of Shakespeare's play.

Star-Cross’d Lovers: Shakespeare and Prokofiev’s “pas-de-deux” in “Romeo and Juliet”

Lynette Hunter

2009, Romeo and Juliet critical edition

also at: romeoandjulietedition.com

Romeo and Juliet critical edition

Jocelyn Crawley

On Gender and Identity in Three Shakespearean Texts

Tawfiq Yousef

A Pragmatic Reading of Shakespeare's Romeo and Juliet

Malak Majeed Ullah Khan



ROMEO AND JULIET   By William Shakespeare

Rahmatullah Katawazai

This study is conducted to explore the artistic values

A Critical Analysis of William Shakespeare's: Romeo and Juliet

Zdravko Planinc

"Politics, Religion, and Love's Transgression: The Political Philosophy of Romeo and Juliet," Philosophy and Literature 43/1 (2019), 11-37

Homer Simms

Shakespeare's Dowry: Subjectivity and Resistance in The Taming of the Shrew, Romeo and Juliet, and The Merchant of Venice

Paul Kottman

Defying the Stars: Tragic Love as the Struggle for Freedom in Romeo and Juliet

Essay on Romeo and Juliet (2012)



Jennifer Ailles

"This work investigates Shakespeare's 'Romeo and Juliet', one of the exemplary heteronormative love stories in Western culture. By engaging in new queer or pomosexual readings of Shakespeare's text, in relation to various adaptations, including 'Shakespeare in Love, Tromeo and Juliet ', and 'Get Real', this thesis challenges the traditional heteronormative reading of the play and argues that the play itself is queer. I argue that queering involves the non-normative and disruptive process(es) of reading texts. Adaptation, as a process of re-writing/disrupting a normative, 'originary,' historically situated text, is by definition a queer process. 'Romeo and Juliet' is a historical text that has been adapted, and thus queered, numerous times; Shakespeare's 'Romeo and Juliet' is itself an adaptation and therefore is always already a queer text. Thus, adaptations of Shakespeare's text are necessarily involved in queering the queer(ed): a pomosexual process that ultimately leads to the breakdown of the normative signification system."

Queering the Queer (ed): Pomosexual "Readings" of Shakespeare's Adaptation of Romeo and Juliet

Erica Boretti

C 00000236 CAMAIORA Shakespeares use of the Petrarchan Code and idiom in Romeo and Juliet

Cynthia Figueroa

Christina Delvie


Rachel Prusko

Passionate, dramatic, secretive, and misunderstood, Romeo and Juliet represent adolescence in ways that strike a familiar chord for audiences today. My essay suggests, however, that these young characters likely appeared to Shakespeare's original audiences as troubling, unsettling figures, because Romeo and Juliet dismantles extant understandings of young people in Shakespeare's England. I argue that the play's staging evokes the guarded interiority of its young protagonists and establishes private spaces in which they constitute themselves as adolescent subjects. Private space, in turn, makes possible a private language: a kind of teen-speak recognizable today but among its earliest manifestations.

Youth and Privacy in Romeo and Juliet. In Early Theatre 19.1 (2016)

2009, Negotiating Shakespeare’s Language in ‘Romeo and Juliet’: Approaches to Reading from Criticism, Editing and the Stage

Negotiating Shakespeare’s Language in ‘Romeo and Juliet’: Approaches to Reading from Criticism, Editing and the Stage

Nic Panagopoulos

2007, Conradiana

*Victory* and *Romeo and Juliet*: Eros and Thanatos

Lovelyn Supilanas

Gensantos Foundation College Incorporated Bulaong Extension, General Santos City Project In English and American Literature Submitted to: Ms. Haya Jane L. Estigoy Submitted by

Marianne Kimura (木村マリアン)

The original version was published in the Tsukuba U. Area Studies Journal, 2012.

"Juliet is the Sun": the secret anti-coal play and the cosmic heliocentrism of Giordano Bruno in "Romeo and Juliet" (with Hafez poem)


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